The soundtrack to “Eraserhead” has been cited by many early industrial and noise artists as a major influence on their work, let alone the film itself. Today we discuss both the sound and sound he movie in honor of the passing of a legend. David Lynch, we hope that in heaven everything is indeed fine.
October screamed for an episode on a soundtrack and a movie, and we landed on the hate-filled nihilism of “the Last House on Dead End Street.” In the first part of the episode, we talk to Adam Higgins who released the soundtrack on LP. He tells us how the record came together and how he figured out where all the tracks came from. After he heads back to work, we get into the movie itself. It is very appropriate listening and watching for the darkest month.
It’s the second part of our talk with Drew McDowall and we discuss joining Coil and the albums he helped create and finish with his recent solo work. Drew provides fantastic insight about the creation of these classic albums and describes some of the process of curating his solo box set. Another great first-hand industrial history lesson!
UK industrial history class is in session. Drew McDowall sat down with us for a long candid discussion covering his entire history. For this first of two episodes, Drew tells us about his beginnings in the 70s to falling in with Psychic TV and eventually Coil. It’s an incredible first hand account of the early industrial days. In part 2, we get into Drew joining Coil and go all the way thru to his current solo output.
Jack Sargent, author of Deathtripping: The Cinema of Transgression, Against Control: Essays on William Burroughs, and the forthcoming Industrial. Surreal.… Read more In Conversation with Jack Sargeant
In the first of two episodes, John Duncan sat down with us for a riveting conversation about his early days in Los Angeles to his mid-80s period living in Japan. We discuss multiple events and works staged in both locations, from Scare to Radio Code to his work in pornography and much more. Next week’s episode will focus on his time in Amsterdam and Italy to his current work. Another mandatory history lesson is now in session.
Ryan Martin joins us to pay tribute to Hermann Nitsch, who passed away April 18, 2022. Ryan met Nitsch a few times and tells us an incredible story of him and Genesis P-Orridge getting to visit Hermann at the Prinzendorf Castle. We discuss all aspects of his work and how his way of living life intensely can act as an inspiration to us all.
From Public Bath Records to Public Bath Press, Kato David Hopkins has been flying the flag of Japanese sounds since the 1980s. He’s seen it all… from the very first Masonna shows, to innumerable classic shows at the legendary Bears club. His most recent work is a great book called “Rumors of Noizu: Hijokaidan and the Road to 2nd Damascus” that traces the experimental music scene in Japan leading up to the debut Hijokaidan LP. Get your pen and paper out for another fascinating noise history lesson.
As nearly every classic Japanese noise artist has sited Tangerine Dream as a huge influence, we thought it was time to cover them and their “Zeit” double album from 1972. One of the very first full on experimental ambient records, “Zeit” sends us all on an abstract sonic path while we dig up the roots of what makes up everyone from Aube to Merzbow to Nord and countless other noise legends. Touch the haunting heavens with this masterpiece of experimental art.
Jonathan Canady of Deathpile, Dead World, Blunt Force Trauma and so much more joins us to discuss a milestone in the world of noise and industrial—“Information Overload Unit” by SPK. Jonathan came prepared to go deep on all aspects of this album. In addition, we talk about Jonathan’s time working for Relapse as well as his early days of sound making. The overload has begun.