This week Greh, Mike and Tara discuss “Dark Market Broadcast” by legendary artist John Duncan. We cover this magnificent album,… Read more John Duncan – Dark Market Broadcast

This week Greh, Mike and Tara discuss “Dark Market Broadcast” by legendary artist John Duncan. We cover this magnificent album,… Read more John Duncan – Dark Market Broadcast
GX Jupitter-Larsen returns, the entire crew plays all formats of “Wind Licked Dirt”, and we discuss all things Haters. Topics include entropy, waves, math, professional wrestling, mail art, SRL, noise and so much more. Get out your pencils and Standard Jupitter-Larsen rulers for another invaluable lesson on the history of noise, direct from the source.
This week Greh and Mike head back in time and over to Italy to discuss MB’s “Mectpyo Bakterium.” There are also some new additions to the podcast that include a segment covering recent listens that will kick off each episode, as well as a new member of the on air squad — Research Assistant Tara Connelly. The trio discuss listening to MB late at night and in the dark, waves of sound heading into oblivion, and oil spreading atmosphere. Turn on a night light and dig in.
This week Greh and Mike sit down with Pat O’Neil and Mark Jameson, aka SKIN CRIME. We listened to the legendary compilation CD “Music Should Hurt” on Pat’s own Self Abuse label. We cover many classic ’90s noise bands from all over the globe, what it was like to put together a comp in the pre-internet age, running a noise label in the 90s, and a ton more. This won’t hurt one little bit.
Mike and Greh got together to listen to Richard Ramirez’ 1997 CD “Memorial” on the Praxis Dr. Bearmann label from Germany. It’s a somber affair, dedicated to Richard’s friend Kevin Ogg who passed away the year prior.
GX Jupitter-Larsen of the Haters came over and we listened to “Live in Khabarvosk, CCCP” which has two recordings taken from a Russian jazz festival in 1988. Discussion of the sound is dispensed with quickly and G.X. provides many anecdotes and pieces of Merzbow, Haters and noise culture history.
Our 12th episode and it just so happens to be Collapse 12 Floors, with guest Peter Rehberg, best known for his project PITA and the essential Editions Mego label. Peter lends some insight into the dawn of the digital era by discussing Merzbow’s earliest released computer album with us. Get under a table or stand in a doorframe as we get shook.
What a treat! Philip Best (Consumer Electronics, Whitehouse, Amphetamine Sulphate, et al.) was in town and sat down with Mike and Greh to discuss the Spiral Honey CD on Work in Progress from 1996. This harsh, nasty, buzzing record is met with great elation by the three of us, Connelly makes a compliment faux pas and Philip takes some time to discuss the true benefits of our Patreon.
Russell Haswell (Consumer Electronics, Satanstornade) stopped by while in town for a show to speak with us about 1996’s Mercurated on Alchemy Records. Russell gives insight about collaborating with Masami Akita, seeing him live for the first time, and the magic of Japanese-label Merzbow CDs.
We finally dip our toes in the digital realm with 2002’s AMLUX, chosen by screenwriter Ben Collins (Super Dark Times). This record takes the three of us different places: Connelly gets locked inside a parking garage, Greh confesses his foolishness regarding post-2000s Merzbow, and Ben comes up with a movie pitch for Die Hard, but in Japan.