We got together with Jesse Sanes (Cleanse, Liebestod) to watch the classic “Oh! Moro volume 5” VHS. It was cool to see footage of Osaka after having been there, let alone revisiting some classic noise sets from Merzbow, Monde Bruits, Masonna and more!
For the ExtraNoisextra on the patreon, we talk about the new Cleanse tape and how Greh and Jesse work together. This 20 minute segment immediately follows the episode on the patreon feed.
We are too excited for Japan so we delve into a classic comp that emanated out of Osaka — “Noise Forest.” A truly mandatory CD, “Noise Forest” brings together a powerhouse of early 90s Japanese noise stalwarts such as Merzbow, Masonna, CCCC, Mode Bruits and more. Traverse with us and get lost on the “Noise Forest.”
For the ExtraNOISEXTRA segment on the patreon, we go over multiple versions and sessions of Merzbow “Travelling” that was released by Slowdown Records.
After a slew of interviews (with plenty more to come), we head back to our goal of covering every CD on Pure with Aube “Purification to Numbness.” The single source landscape of Aube hit is harsh way on this album. We also discuss the “Luminescence” VHS, and Greh talks about seeing him live in 2001. Aube forever.
With the full NWN/Hospital Japan Fest line up announced, we go all in on Thirdorgan, the cyborg of night two. “Jinzonigen” is Thirdorgan’s 1998 LP on Harbinger Sound. We answer the questions posed in the track titles. We prepare for the dystopian future where Hakaider and Loch Ness Monster will lead us to new lands. Thirdorgan is the harshest of them all, and this LP showcases exactly why. Do you believe?
“Tetsuo : The Iron Man” is a film that has been an influence on countless noise and industrial artists, so for a different style episode, we cover this legendary Japanese film. Metal fetish, sexual obsession and pure do-it-yourself underground aesthetics place this movie firmly in the Noisextra world. For many people, this was their first taste of Japanese extremity, for two Noisextra hosts this is their first time watching. How did they feel? Pierce your thigh with a metal rod and find out.
With the announcement of Masonna’s first set in years at the NWN/Hospital fest in Osaka, we instantly knew it was time to finally discuss the CD that is our namesake. Masonna “Noisextra” on the legendary Pure series packs every punch today that it did in 1995. We talk this album as well as the impact Masonna has had on all of us in our lives of noise. It’s all things Masonna today, and will be for the next year until we get to finally see the Sonic Devil himself live in Japan.
S-Core simply exists. There is no beginning or end. “My Candle Has Died” has always been there, it just took S Core to tap into the stream and bring it to life. A perfect album on a perfect label. These things live in no time and in all times. S-Core resides in mind. S-Core forever and ever.
Following up last week’s episode, we wanted to discuss an album by an artist from “Japanese/American Noise Treaty,” and we landed on Contagious Orgasm “The Flow of Sound Without Parameter” on Ground Fault. It’s a Series II CD and is as strange as it is wonderful. We love Ground Fault and we love Contagious Orgasm, so you can guess how we feel about this one. Hydrate your thirsty teeth and head out on your mission.
Class is back in session for another mandatory noise history lesson as we had a great discussion about “The Japanese/American Noise Treaty” with the man who curated it, Mason Jones. Mason gives us all the background and history of putting this mammoth document together. We get into the order, how artists were chosen, why some aren’t on it, the design and layout, and so much more. It’s truly one of the most important noise compilations of all time, and was incredible to get the story from the man responsible.
A collaboration that has come up on two recent Seven Inch Sundays, and one that was requested multiple times in our early podcast days, Merzbow & Christoph Heemann “Sleeper Awakes on the Edge of Abyss” is this week’s focus. An interesting and unexpected work, this album settles in quickly and brings up as many images as it does questions. It’s a great look at ’80s Merzbow through the lens of Christoph Heemann.